
Director's Note
History is complicated. Beyond the dates and facts, individuals, families, and descendants are affected depending on which side they are on and who's stuck in the middle. The narrative gets muddled.
Often, we look back and define the past in terms of who was good and who was bad. Sometimes that works. And sometimes it is about people who disagreed, each believing they were doing what was best. Sometimes history tells us which group was right, and often it confirms that it’s more than black and white.
The great thing about art is that it can take facts and figures and ask us to consider the people that lived in that time. It can remind us that we are affected by the past and, like it or not, we will be part of the history someone reads about in the future.
Russia’s history is complex, and the period when Anastasia takes place is no exception. The Bolshevik Revolution was a pinnacle moment, and its effects can still be seen in Russia, Ukraine, and the world today. If we look more closely at the people, the Romanov family believed they were acting in their country’s best interests. The Bolshevik revolutionaries also thought they knew what was right for the people. In the end, blood was spilled, unspeakable tragedies occurred, and the lives of the Russian people didn’t really improve.
In reality, Anastasia and her entire family were casualties of the revolution. But, for many years after it took place, there was a glimmer of hope – a fairy tale that just maybe Princess Anastasia survived. This storybook legend captured not only Anastasia’s grandmother and the Russian people; it also inspired the world with an ounce of possibility.
The question I keep coming back to is: “Why did the entire world want Anastasia to be alive?” Do we just love a good “poor girl turns out to be a princess” story? Do we need her to be alive to try to redeem the horrible tragedy that befell her and her siblings? Do we have a desire to see history as more than facts and figures and want to honor the humanity of Anastasia even if it’s through a fairy tale?
These questions have been swirling through my head as we have had the privilege of bringing this story to life with characters who were real people, each with their own past, as well as a few made-up roles. And although Anya is the one who sings about it, each one of them is searching for the same thing: “Home, Love, Family.”
Some stories look to the future to figure out who you are. This story encourages us to take a “Journey to the Past” to find out who we are, and maybe more importantly, who we want to be.
Tim Kennedy
Director and Co-Music Director
PROGRAM
ACT I
Opening
Prologue: Once Upon a December
The Last Dance of the Romanovs
A Rumor in St. Petersburg
In My Dreams
The Rumors Never End
Learn To Do It
The Neva Flows
My Petersburg
Once Upon a December
A Secret She Kept
Stay, I Pray You
We’ll Go From There
Journey to the Past
INTERMISSION
ACT II
Paris Holds The Key
Close the Door
Land Of Yesterday
The Countess and the Common Man
A Nightmare
In a Crowd of Thousands
Arriving at the Ballet/Meant To Be
Quartet At The Ballet
Everything To Win
Once Upon a December (Reprise)
The Press Conference
Everything To Win (Reprise)
Still/The Neva Flows (Reprise)
Finale
Cast


Andrew Gattis is excited to return for a third show with Ovation West, having served as the Assistant Stage Manager for both Annie Get Your Gun and Songs for a New World. When not backstage, he bakes, bartends, enjoys painting miniatures and playing video games. He’d especially like to thank his wife, Anna Piper!
Assistant Stage Manager – Andrew Gattis
Assistant Stage Manager – Addison Becker
Intimacy Coordinator – Alex Woosley
Technical Directors – Ryan Glaser & John Wittbrodt
Set Design/Build - Ryan Glaser
Set Painter – Meagan Anderson
Lighting Designer – Erik Frederiksen
Assistant Lighting Designer – Nox Ervin
Costume Designer – Davis Sibley
Sound Designer – Dalton Kieta
Sound Operator – Kevin Atkinson
Orchestra Musicians
- Sean Case & Brian Jaffee, Percussion
- Jon Cullison, Bass
- Abby Bernat-Wiebe, Trumpet
- Chris Loring, Violin
- Alex Burse, Woodwinds
- Will Eisenberg, Piano
- Lee Ann Scherlong, Conductor
Rehearsal Accompanists
- Will Eisenberg
- David Reid
- Patrick Lee
SPECIAL THANKS
Wellshire Presbyterian Church
Arvada United Methodist Church
Aaron Stone

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